Yesterday evening I went to see the American Ballet Theatre production of "Giselle" at Lincoln Center with my friend Leslie. Leslie is a ballet dancer, so of course this was not her first time at a professional performance, but it was mine. The only ballet I ever saw "live" was when I was about six, and I witnesseed it from onstage, where I danced on pink tiptoe in a pinker tutu and did a perfect cartwheel (not a traditional ballet move, I imagine).
I am by no means an aficionado, but I have a smattering of knowledge about a few of the steps, thanks to Leslie and a ridiculous ballet class I recently took as part of a theatre program with which I was involved. Last night's performance wasn't the best, as Leslie confirmed, but of course it was still quite fascinating to watch. I know how much effort goes into even the simplest of steps, so it was awesome (in the truest sense of the word) to see these dancers make far more complicated and difficult moves look so damned easy.
As soon as the curtain fell at the end of the second act, and the dancers came out for their curtain calls, quite a few people in the audience actually started to leave, pushing their plodding way past others who were still seated and applauding in gracious thanks for the grand feat they'd just witnessed.
"These dancers just gave these fucking losers an absolutely precious gift for the past two and a half hours, and this is the way they show their appreciation?" I said to Leslie, who was as flabbergasted as I was.
Just then the guy to Leslie's left, whom earlier she'd dubbed Truman Capote, and his female companion, started to impatiently shuffle past us to get into the aisle, which was to my immediate right. Leslie told him, in all her delicious fury, that he was just going to have to wait, but he insisted on shoving his carcass past the two of us, offering as an explanation, "We have to get back to New Jersey."
"That's right, Les," I said. "New Jersey won't be there in two minutes. Don't you understand? If he doesn't leave right now, New Jersey will not be there."
Don't these people get it? Don't they know how incredibly rude it is to walk out during a curtain call? Would they leave a dinner party as soon as they set down their dessert spoons? Leave the bed as soon as they are "done"?
You were just given something beautiful, you cretins. You were presented with an exquisite two-and-a-half-hour gift. The least you could have done was hang around for two-and-a-half minutes to thank them for it.
fresh-baked at 03:21 PMJodi,
That brings to mind the new sensibility of "rudeness." People will do the very rudest things to their loved ones, to strangers, and worse, to people who have given so much of themselves for the benefit of others.
I think it's a shame that it's become basically "accepted" behavior anymore.
Dearest Jodi,
I was just going to call you today to make sure you had a good time and to offer apologies that it was not the most outstanding performance that ABT has offered in its extraordinary history. However, Julie Kent - despite being perhaps a bit too tall for Giselle, was lovely. For any balletomaines out there - no one will ever be Giselle now that Gelsey Kirkland has retired.
Oh, and Jodi, my exact words to Mr. Capote were: "I think it would more appropriate for you to stay and applaud." (With all the condescension fitting that remark, which he so justly deserved.) I tried to block his exit with my body, but failed shamefully.
Love,
Leslie
Jodi -- I can't agree more with you. People truly don't get "it" these days, and as a result we find ourselves faced rather often with what you had to deal with last night.
While I can understand the mentality of such people, by no means does that mean I'd join them. It doesn't matter if it's a ballet, a concert, or a fine meal -- it's called respect.
Offered by: Scott on June 29, 2002 7:29 PMOr for Times Square at any time of day. Oh, wait. That's not fear. It's just amazingly huge irritation.
I feel the same way when people walk out of movies as the credits start to roll. Personally, I like to see the credits. I want to know who was involved in the making of whatever film I just watched. If it was good, I want to know so I can remember them. If it was bad, I want to know so I can heap insults upon their heads on the way home.
Offered by: Kim on June 29, 2002 7:27 PMIt was at the Metropolitan Opera House, the one you describe. (Don't let it scare you, Anita. Save your fright for Tompkins Square Park after dark.)
Offered by: Jodi on June 29, 2002 6:33 PMWhat part of the Lincoln center did you see it at? When I went on a field trip we got to see (excuse my ignorance--I forgot the proper name for the "auditoriums") the one where most ballets are held at and it was huge; so huge that it scared me, honestly. (the place was mostly burgundary and it had a huge silver chandlier thing) I remember the (hungover) tour lady let us see the place though the balconies, and it was very steep, and it was just scary.
Pretty, yet scary.
Offered by: Anita on June 29, 2002 6:24 PM





